For the full Hollywood Tarot experience, pretend the cards below are lying in front of you sort of like this,

and that some Princess of Pentacles person is there with you, interpreting the meanings (which she really is, at some archetypal level).

For a more complete explanation of the cards (like, what the heck does this actor have to do with this card anyway?), see Who's On What Card.

NOTE: Major Arcana cards (the first 22 cards of the deck) do not belong to suits like Swords or Wands; they are simply called "Card 0", "Card 1", etc. They're the cards with the blue moon-and-stars frames. Don't be confused if you get, say, "Card 3" on the layout space called "Card 1". This just means that the third card of the deck is in the first card position.

Enjoy the Movie!



Cards 1 and 2 are the starting point. Think of them as the corner of Hollywood and Vine. CARD 1, Hollywood Boulevard, is the summarized plot of your question, the cards' edited version of the question you are asking.

7 of Wands: Challenge--Daniel Day-Lewis


Hawkeye accepts the Mohawk challenge.
The Seven of Wands is the recognition that at some time or other we will be challenged, and in that moment of challenge we are tested. Do we rise to the challenge, or do we run away? Is this a worthy fight? Sometimes the true challenge is having the wisdom to not accept the illusion challenge.



CARD 2, Vine Avenue, crosses Hollywood Boulevard. This card either complicates or compliments the question, kind of like a movie backer who insists on coming down to the studio to see what's going on.

Queen of Wands: Tina Turner


Tina aflame.
The Queen of Wands embodies the power of fire. She is hot, in every possible use of that word. Highly energetic, highly alive, she can burn you like a cinder if you're not ready for her.



CARD 3 is the Script you're supposed to be learning in this question. Is it hard to learn? Is it stupid? Is it worthy of you? This card is the challenge you face in this situation.

King of Cups: Leonard Nimoy as Mr. Spock


When he loses control of his emotions, get out of his way.
The King of Cups embodies the struggle of reason and control over emotion, the desire to keep passions under leash. If he loses control of his emotions, watch out!



CARD 4 is the Producer, working behind the scenes. This is the card of the larger picture, the vision of what the movie of your question would tell the audience, assuming there was enough money to make the film and you were a good enough actor to do the part. Some would describe this card as God's purpose in this situation.

Card #19: The Sun--Meg Ryan


Sunny Meg beams at the world.
The Sun is creative, sparkling bliss. Nothing can keep the sun down. Life is good and bright and anything is possible. Dance and sing and enjoy your wonderful life!



CARD 5 is Podunk, Minnesota--or wherever you came from before you made it to the corner of Hollywood and Vine. This is all the strengths and skills you are bringing to the part, all those hours of high school musicals and dinner theater that have made you the performer you are today. This is the card of your past.

2 of Cups: Romance--Ginger Rogers and Fred Astaire


Some things you just can't say with words.
The Two of Cups represents that elevation of the senses which is Romance, that flirtatious anticipation, enjoying the thrill of the now while looking forward to the unknown blissful moments to come. It is the splendid joy of your connection with each other, on all levels.



CARD 6 is the completed movie of your question, assuming there are no last minute script changes or drug overdoses among the cast. If you don't do anything different, this is what the final screening will look like. This is the card of the predictable future.

Card #20: Judgment--John Wayne


Making a judgment call.
Deciding who's right and who's wrong is a serious job. It's made much easier if you're able to see the world in very stark black and white. Shades of gray make judgment very difficult.



CARD 7 is that secret script you wrote, that you have hidden in the bottom drawer of your dresser--it's the real question that you should have asked, the opportunity you should have pursued in this reading instead of doing yet another remake of Rocky Meets Lethal Weapon.

Prince of Swords: Dolph Lundgren


The Universal Soldier.
The Prince of Swords is the god of war. He is not the strategist, the general, the officer in charge--he's the guy out on the battlefield, hacking away; he's the useful but expendable knight in someone else's chess game.



CARD 8 is the role people want you to play or want you to relate to in this movie--these are the unseen forces, the archetypes that are acting in this situation that you may not be entirely aware of.

Card #11: Justice--Gillian Anderson as Agent Dana Scully


Agent Scully picks a bone to discern its truth.
Justice is not blind. She sees everything, objectively, analytically. She is not involved in determining "right" or "wrong"--she leaves that to the Judgment card. She is interested only in perceiving Truth.



CARD 9 is the role you were born to play in the movie of this question, the archetype you should be modeling yourself on.

Card #15: The Devil--James Earl Jones as Darth Vadar


Darth Vadar and his minions stepping over the trash.
This is the card of temptation. There's a lot of power on the Dark Side, plus life seems a lot easier and more amusing over there. Good guys seem to work so hard. This is also the card of ignorance, because, of course, the temptation is an illusion. Power and work coexist on both sides of the Force.



CARD 10 is the Academy Award ceremony: this is the best and brightest possible outcome for this project. It may be a sad card--but remember that even tear jerkers can have big value at the box office. Give us a big smile for the cameras!

6 of Cups: Childhood--Shirley Temple


Isn't she adorable?
The Six of Cups is a reminder of Childhood. These may be positive memories, or perhaps not. There's nothing sadder than adults who live in their memories of childhood, unless it's adults who are remembered more for what they did as children than for what they do as adults.



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