For the full Hollywood Tarot experience, pretend the cards below are lying in front of you sort of like this,

and that some Princess of Pentacles person is there with you, interpreting the meanings (which she really is, at some archetypal level).

For a more complete explanation of the cards (like, what the heck does this actor have to do with this card anyway?), see Who's On What Card.

NOTE: Major Arcana cards (the first 22 cards of the deck) do not belong to suits like Swords or Wands; they are simply called "Card 0", "Card 1", etc. They're the cards with the blue moon-and-stars frames. Don't be confused if you get, say, "Card 3" on the layout space called "Card 1". This just means that the third card of the deck is in the first card position.

Enjoy the Movie!



Cards 1 and 2 are the starting point. Think of them as the corner of Hollywood and Vine. CARD 1, Hollywood Boulevard, is the summarized plot of your question, the cards' edited version of the question you are asking.

Card #0: The Fool--Robin Williams as Mork


"The childlike Mork is disappointed to find out that, on Earth, eggs don't fly."
Fools are utterly ignorant persons, who will take amazing risks simply because they don't know better. They don't know embarrassment, or fear. They laugh and sing and step off cliffs. The fool is the archetype at the very beginning of the Hero's Journey, a journey that ends when the Fool has become the Magician.



CARD 2, Vine Avenue, crosses Hollywood Boulevard. This card either complicates or compliments the question, kind of like a movie backer who insists on coming down to the studio to see what's going on.

King of Pentacles: Ving Rhames


Doing business over lunch by the pool.
The King of Pentacles is a sensualist, an utterly physical man. He is a good business man who does not enjoy business for its own sake, but rather for the things of the flesh that money can buy him. He is authoritarian, stable and reliable. Just don't get between him and his stuff.



CARD 3 is the Script you're supposed to be learning in this question. Is it hard to learn? Is it stupid? Is it worthy of you? This card is the challenge you face in this situation.

King of Cups: Leonard Nimoy as Mr. Spock


When he loses control of his emotions, get out of his way.
The King of Cups embodies the struggle of reason and control over emotion, the desire to keep passions under leash. If he loses control of his emotions, watch out!



CARD 4 is the Producer, working behind the scenes. This is the card of the larger picture, the vision of what the movie of your question would tell the audience, assuming there was enough money to make the film and you were a good enough actor to do the part. Some would describe this card as God's purpose in this situation.

Prince of Wands: Bruce Lee


His mind and body are one.
The Prince of Wands combines mysticism with power. He is keenly aware of all of his bodies, not just the physical one; he uses them as tools. He is self-assured to the point of cockiness.



CARD 5 is Podunk, Minnesota--or wherever you came from before you made it to the corner of Hollywood and Vine. This is all the strengths and skills you are bringing to the part, all those hours of high school musicals and dinner theater that have made you the performer you are today. This is the card of your past.

5 of Swords: Defeat--Pre-Vietnam-era Movie Indians


You don't even have to see the movie to know who's going to lose.
The concept of "defeat" is sometimes valid, sometimes an illusion, sometimes a lie, and sometimes simply propaganda by those who claim themselves as the "winners".



CARD 6 is the completed movie of your question, assuming there are no last minute script changes or drug overdoses among the cast. If you don't do anything different, this is what the final screening will look like. This is the card of the predictable future.

Card #21: The World--The Audience


Who's watching whom?
"All the world's a stage, and the men and women merely players."-(Bacon's garbled Shakespeare). We are each of us both actor and audience. Star or heckler: which is your primary role?



CARD 7 is that secret script you wrote, that you have hidden in the bottom drawer of your dresser--it's the real question that you should have asked, the opportunity you should have pursued in this reading instead of doing yet another remake of Rocky Meets Lethal Weapon.

Card #12: The Hanged Man--Clint Eastwood as the Man With No Name


The Stranger has put his hang-ups behind him.
You can't be resurrected unless you've first died. You can't understand pain unless you've first experienced it. This is the card of sacrifice that leads to a wiser life.



CARD 8 is the role people want you to play or want you to relate to in this movie--these are the unseen forces, the archetypes that are acting in this situation that you may not be entirely aware of.

Card #2: High Priestess--Whoopi Goldberg


Guinan advises Picard.
The High Priestess exemplifies wisdom. She is also known as "The Papess", after Pope Joan; other traditions have known this archetype as Sophia, Goddess of Wisdom. Whatever her name, you can trust her counsel.



CARD 9 is the role you were born to play in the movie of this question, the archetype you should be modeling yourself on.

8 of Swords: Disillusion--Humphrey Bogart


Charlie's been burnt one too many times.
The Eight of Swords represents Disillusion. This is the card of the cynic, the person who's seen it all and doesn't trust any of it. Remember: disillusionment can itself be an illusion. Just because you're a cynic doesn't mean you're right.



CARD 10 is the Academy Award ceremony: this is the best and brightest possible outcome for this project. It may be a sad card--but remember that even tear jerkers can have big value at the box office. Give us a big smile for the cameras!

6 of Pentacles: Charity--Paul Newman


Even on spaghetti sauce, he looks good.
The Six of Pentacles is the card of Charity, of being generous in sharing what you have with others. It requires an ability to accurately assess how much you really need, and a willingness to let go of the rest.



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